The Write Stuff – Monday, August 14 – Interview With Cat Rambo

Photo Credit to OnFocusPhotography

A number of irksome matters have cropped up recently that have limited my time and made my life increasingly stressful. In days like these, all I want to do when I’m finally home is curl up with a well-written story that will transport me far from my day-to-day circumstances and revitalize me. Cat Rambo’s delightful short stories are perfect for this and it’s a large part of the reason I invited her to join us. To say her writing is quirky, unique and imaginative is not to describe even “half-et” of what makes it so enjoyable, since her language often blurs the boundary between poetry and prose. I am privileged to have her share her thoughts with us, here, on The Write Stuff, especially because her work is acclaimed by so many of science fiction’s and fantasy’s finest. Nancy Kress, for example, has this to say: “Cat Rambo’s stories never go where you expect them to. They twist and turn and end up in strange places—sometimes very strange indeed. Both the stories set on the Earth we know (or think we know) and those set far away will surprise and delight you.”

Cat Rambo lives, writes, and teaches atop a hill in the Pacific Northwest. Her 200+ fiction publications include stories in Asimov’s, Clarkesworld Magazine, and The Magazine of Fantasy and Science Fiction. She is an Endeavour, Nebula, and World Fantasy Award nominee. Her popular online school, The Rambo Academy for Wayward Writers, has been in existence since 2010. For more about her, as well as links to her fiction, see http://www.kittywumpus.net

Cat, as we begin our conversation, I’d like to focus first on your December 2016 Hydra House publication, Neither Here Nor There.

From time to time, you write something that either makes me laugh outright, or else at least chuckle. For example the phrase, “given that fireflies are easily bullied”, from your story The Toad’s Jewel, or when Ionna, in the story Karaluvian Fale, asks, “Who created the official position of a Whatsit for me?”, to which Kara replies, “Well, I had long needed a Whatsit”. Are you by nature somewhat of a comic in your daily life? 

I have always loved wordplay and jokes, and always will, I think. My spouse would probably tell you that I am both easily amused and prone to silliness, but since he is the same way, it’s a good match because we are always telling or playing jokes to or on each other.

While stories from your other collections have a distinctly earthly feel, like those in Altered America, which are explicitly stated to be so, the ones in Neither Here Nor There are entirely, to my mind at least, extraterrestrial. As one who has never written short stories, but rather novels, I feel compelled to ask if you deliberately set out to write a collection of stories with a common theme over a period of time, or do you anthologize works from stories created over the years because of their similarity?

I don’t set out to write a collection, but because I write so many short stories – over 200 so far – they tend to accrete and get published as groups organized by theme. With Altered America, I’m returning to the same setting repeatedly, which happens more with my fantasy settings (Tabat and Serendib are both cities with multiple stories, and the former even has two novels so far) than my science fiction, although there too I have some places, like TwiceFar Station, that I return to repeatedly.

It’s interesting as a writer to come back to a setting repeatedly for a number of reasons. One is that it becomes clearer and clearer in one’s head and begin throwing off possible side stories. Another is that you can develop the location over time and have the events of one story affect what’s happening in other stories set in the same location or with the same characters.

Although you write prose, your phrasing smacks of poetry: “Jack-knife sudden” and “velvet folds as soft as a baby’s earlobe” from your story Love, Resurrected. In addition, your stories are sometimes non-linear, often alluding to, but skipping over events in a manner uncharacteristic of prose. This compels me to ask, even though I can find no evidence you’ve ever published any, do you write poems as well? If so, might I persuade you to share one?

I do write poetry as well, and won a couple of college contests when I was an undergraduate. I don’t write it much anymore, but here’s a sonnet from 1999, when I first moved out to PNW:

The sky's larger here, and closer somehow.
Lost in its enormity, I hardly miss you at all.
That ache's become a kite, flying low
in and out of clouds, in and out of sun,
poised high, string a melancholy thrum.
Sometimes its shadow falls across my face,
But I've grown used to that phenomenon
as I move in and out of shadow, in and out of sun.

All those poems say 'If ever I loved you' - but if?
Surely there's no question there, it's when,
when I loved you, and all the if is if
the box is sealed, if the string is tied and delivered elsewhere
or whether it sits close at hand, lid askew,
with all those painful longings showing through.

Your stories are distinctly yours, by which I refer not only to the lilt and flow of your writing, but also to the unexpected twist at their conclusions. Still, at various times when I read them, a passage will momentarily call to mind an author like Poe or Jacqueline Carey. Which of the countless ones whom you’ve read have influenced you most and why?

So many! I have always been a reader. Non genre people that have influenced me: John Barth, Willa Cather, Geoffrey Chaucer, Grace Paley, Gilbert Sorrentino. In the genre: Octavia Butler, Samuel R. Delany, Lord Dunsany, Robert Heinlein, Zenna Henderson, P.C. Hogdell, R.A. Lafferty, Ursula Le Guin, Joe Lansdale, Rachel Pollack, H.P. Lovecraft, Andre Norton, Cordwainer Smith, Theodore Sturgeon, Thomas Burnett Swann, and Jeff VanderMeer. To name a few.

Why? Because they are not afraid to experiment and at the same time not afraid to reflect life as it is. Because they love and respect language as much as they love this world and writing in it.

In June of this year, you visited Cuba and met Cuban science fiction author, Yoss. Will you tell us how this fortunate encounter came to be and elaborate a bit on both him and your time together?

I was lucky enough to be part of a family trip and when I knew I was going I asked around a little. The SF community is much smaller than one might think and a mutual friend introduced us via e-mail. Yoss and his wife came out to lunch with us and we had a great time talking about what the Cuban F&SF publishing scene was like. He plays with a band, so at one point he pulled out his harmonica to demonstrate and played a few bars, much to the astonishment of the tables around us. He was so much fun! I had prepared by reading his book Super Extra Grande; I’ve got another of his lined up on my Kindle now and hope to read more in Cuban F&SF in the future.

How long have you been playing/using Habitica and do you think you will continue to incorporate it into your day-to-day life?

I had made an account a while back but hadn’t really done much with it until after talking with two of the founders at the Nebula conference this year. I have found it very handy for dealing with my tendency to get distracted and it’s been helping me achieve my daily word count so I foresee continuing to use it.

Would you care to share something about your home life?

I have a cat named Taco and like to roast my own coffee beans with a hot-air popcorn popper.

I see you’ve stepped up to the plate again to assume another year as SFWA’s president. Are you one of those individuals who find that added responsibility increases your productivity? How much does it impinge on your writing?

I find it eats up vast amounts of writing time if I let it, which was my main hesitation in agreeing to run for a second two-year term. By the time this term is over I will have spent five years total in SFWA office, and will be happy to let someone else steer the boat for a while.

SFWA has taken some nasty hits online over the years, yet you’re still actively involved. Without delving into the negative—I’ll leave the tawdry side of interviewing to others—what is it about the organization that keeps you so involved? Why do you recommend joining it to qualified authors?

SFWA keeps me involved because of the community of professional writers it represents. While it works hard to support, defend, inform and all of that, it also pulls a group together that is like none other in the world. Why do I recommend it? Because it has a tremendous amount of resources to offer and is well worth the membership fee. Beyond that, because they will make connections and friends there that cannot be made elsewhere.

Is there another Cat Rambo collection coming any time soon?

I’m currently looking at my backlog of science fiction and wondering the same thing myself. No matter what, there will be a mini-collection soon for my Patreon backers.

It is my habit to conclude my interviews with a Lightning Round because of the unexpected insights the answers sometimes provide. In as few words as possible, please answer the following:

 My best friend would tell you… I’m a person with a killer smile.

The one thing I cannot do without is… books!

The one thing I would change about my life is… I would make it easier to visit my friends.

My biggest peeve is… mean people.

The thing I’m most satisfied with is… I’m pretty fond of most of the aspects of this nifty planet we find ourselves on.

 

Readers can purchase a copy of Neither Here Nor There on Amazon at: https://www.amazon.com/Neither-Here-Nor-There-Rambo-ebook/dp/B01MQWD1GZ/

You can follow Cat via social media at any of the following:

http://www.kittywumpus.net

http://www.patreon.com/catrambo

http://www.twitter.com/@catrambo

https://www.instagram.com/specfic/

https://www.goodreads.com/author/show/1014253.Cat_Rambo

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The Write Stuff – Monday, May 8 – Interview With David Boop

I am pleased to feature today’s guest, WordFire Press author, David Boop. David is a Denver-based speculative fiction author. He’s also an award-winning essayist, and screenwriter. Before turning to fiction, David worked as a DJ, film critic, journalist, and actor. As Editor-in-Chief at IntraDenver.net, David’s team was on the ground at Columbine making them the first internet only newspaper to cover such an event. That year, they won an award for excellence from the Colorado Press Association for their design and coverage.

His debut novel, the sci-fi/noir She Murdered Me with Science, is back in print from WordFire Press after a six-year hiatus. His next novel, The Soul Changers, is a Victorian Horror tied in to the Rippers Resurrected RPG from Savage Worlds. Additionally, Dave is prolific in short fiction with over fifty short stories and two short films sold to his credit. In 2017, he edited the weird western anthology, Straight Outta Tombstone, for Baen. While also known for weird western series The Drowned Horse Chronicle, he’s published across several genres including horror, fantasy, and media tie-ins for Predator, The Green Hornet, The Black Bat and Veronica Mars. His RPG work includes Flash Gordon and Deadlands: Noir for Savage Worlds.

He’s a single dad, Summa Cum Laude creative writing graduate, part-time temp worker and believer. His hobbies include film noir, anime, the Blues and Mayan History.

Two of his works came out on the same day of April this year: She Murdered Me with Science, a noir sci-fi gum shoe detective novel and A Whisper to a Scheme, a self-published novel of the same ilk. Whisper can be quickly described with its back cover blurb:

My name is Noel R Glass and I’m not your average gumshoe. What I am is a pariah from the theoretical physics game; a former wunderkind who watched his future dissolve like the victims of my failed experiment. Years later, I’m finally putting my intellect to work solving crimes with science, not instinct. Well, mostly. Instinct told me the angelic damsel in a black dress who walked into my office was bad news. What made it worse is she admitted to possibly killing her husband, Millionaire Mercantile Maverick Marlin Black. Now I have to find Mr. Black, or his corpse, before the cops do. Otherwise, they won’t look beyond the bedroom eyes of his gorgeous widow. But I know different. It’s not just a hunch, but the science of the bullet that took down Black doesn’t add up. I’m on the run to find a rifle that kills without making a sound. Even my genius brain might need help on this one. Who can I turn to? Certainly not the Widow Black or any of Marlin’s associates. They’ve all got motives. No. The type of assistance I need comes in the form of a Japanese gangster with a Chinese Name. But if Wan Lee helps me, what will he ask for in exchange? Damn those dames singing the “Save Me” blues. Why aren’t I smart enough to just walk away?

As for She Murdered Me with Science, here’s a quick introduction:

My name is Noel Glass. I once was a respected scientist and madly in love. All that ended in a splash of scarlet. I can never forget, and I will never forgive myself.

It’s 1953 and I’m a shamus working the streets of Industry City. I don’t rely on instinct; science is my game. The cases I get, and the booze I drink, keep oblivion just a step away. That is, until some rich recluse walks in and tells me that accident from all these years ago was a set-up, a frame job, and I was meant to take the fall.

Now I have to clear my name… like that’s easy. Everyone’s keeping secrets. Who can I trust? My neighbor, the mysteriously connected Wan Lee? Or the songbird Merlot Sterling? Her lies are almost as beautiful as her voice. Even the muscle-bound bodyguard I inherited can’t keep the hit men, spies — or my own government — from trying to put me six-feet under.

You see, this secret organization believes I know something and wants to keep me quiet. All I do know is they’re aiming to remake the world into their own twisted image using a device I created. They’ve already axed one world leader, and Ike could be next.

God, I could use a shot of bourbon and some answers, but neither comes cheap these days.

Tell us about your most recent release.

I have two. One, the re-release of my first novel, She Murdered Me with Science, which has been out of print since 2010. It’s a sci-fi noir set in the 50s. Noel R. Glass was once a child prodigy, tops in his field of physics, but then at the height of his fame, an experiment goes wrong and kills several people including the woman he loved. Fourteen years later, he works doing an early form of forensics, considered a dirty science at the time. A rich recluse walks into his office and tells him the accident wasn’t his fault, he was set up. Glass goes on a quest to clear his name, but runs afoul of lies, deceptions, and conspiracies in a world on the verge of a global war. WordFire Press was kind enough to re-release it. I also self-published a prequel, set one year before the events in the novel called, A Whisper to a Scheme.

What was the inspiration behind it?

I grew up switching back and forth between reading mystery novels and sci-fi/fantasy. When I set forth to write a novel, I wanted to bring the best of both worlds into it. The pulp setting of the 50s allows for the seamless blend of weird science with the detective noir voice. However, it was the prolog that really set me on this course. I dreamt the prolog, much as you read in the book. It involves a murder, and when I woke up, I knew I had to invent a character to solve the murder from my dream.

I created a character that reflected the best traits of the pulp detectives I loved: hard drinking, fallen hero, seeking redemption – a combination of Nero Wolfe and Archie Goodwin in one person. But I also needed supporting characters that were familiar, but not clichés. I have an Asian sidekick who constantly does the last thing you’d expect a sidekick to do. I give Noel a femme fatale, but made her African-American to reflect the racial tensions of the era. I put in assassins, spies, and real people from the times. I wanted the book to feel like it was written in the fifties.

What was the biggest challenge you faced writing this book and how did you overcome it?

Revision has always been my bane. I’m very ADD and the revision process is almost physically painful to me. And then going back some ten years since I first started writing it and seeing all the errors was grueling. However, the fact I could see them now was uplifting, as it meant I’d definitely improved as a writer over that time.

What other novels have you written?

I have a novel for Pinnacle set in the Savage Worlds roleplaying game. It’s a tie-in to their Rippers world, a Victorian Horror setting similar to the Penny Dreadful TV series. It’s called The Soul Changers and will be out later this year. I also have some fifty short stories in print, with another several due out this year, including a Predator story co-written with Peter J. Wacks. Additionally, I edited an anthology of weird westerns called Straight Outta Tombstone for Baen.

What else are you working on?

I have several projects due this year, including a historical fantasy, a WWII sci-fantasy middle reader in the vein of Hugo Cabaret, the follow-up to the SMMS, and a Flash Gordon RPG I just finished a sourcebook for.

What is your work schedule like when you’re writing?

I’m a binge writer. I write whenever I can, as much as I can, and then I go throw up. Seriously, I have no writing schedule. Life won’t let me.

Do you create an outline before you write? 

Novel, yes. Anything shorter, no. Having a good outline can mean a lot to an editor.

Why do you write?

Because I’m no good at anything else. No, seriously. I’ve held well over 100 different jobs in my lifetime. I used to work two or three at a time. I’d get bored and move on. Writing is the only thing that allows me to sleep. I have a lot of ideas and they won’t let me go until I trap them on e-paper. I cannot imagine doing anything else.

What is the single most powerful challenge when it comes to writing a novel?

Keeping a rhythm. Novels flow best when they are worked on at a steady pace. I do not have a steady pace sort of life. I wish I did. I would love a routine that allowed me the freedom to write a certain amount of hours a day. As it is, I spend most of my time researching, then creating the outline, and then, if I’ve done parts one and two correctly, I should be able to drop in and just following the outline. Easy-peasy, right? Instead, the flow is disrupted by edits for other projects due yesterday, kids needing stuff yesterday, and bills that need to be paid yesterday. It’s a glamorous life, no?

How do you pick yourself up in the face of adversity?

You can do that? Really? I never knew. Hahahaha! I do a whole talk on this subject. Since my novel first came out in ’08, I’ve been plagued with loss: family members, mentors, close friends. I’ve been hit with health issues. My son was diagnosed as autistic. I’m suddenly responsible for my 93 year old step-father. So, it’s been a bit overwhelming. But what got me through was never losing sight of the goals. I wrote short stories when novels were impossible to write. I wrote flash fiction when short stories were impossible to write. I kept my name out there even when I lost 50% of the fan base I’d built during the first release of SMMS. It’s why I now have so many anthologies. Little steps. Trying to go big will cause failure. Breathe. Write a gunfight. Build the story around why later. Just get some words on the page. Write badly. Fix in post. Keep your professional friends close around you. They’ll remind you why you’re doing this. Their successes will motivate you. And have faith, if only in yourself, but a higher power isn’t bad either. If I didn’t have my faith, I would have packed it in some time ago. I know that being a writer is my purpose. I can’t stray too far from the path that has been laid out for me.

Do you have any pet projects?

I love working on RPGs. I’ve done two for Pinnacle, so far. They use the Savage Worlds system. I just did a Flash Gordon sourcebook for them. I’m also writing for Moonstone Books, doing classic pulp heroes. I might also be editing an anthology for them in the near future.

Before I give visitors a sample from She Murdered Me With Science, I’d like to finish with a Lightning Round. Please answer in as few words as possible.

My best friend would tell you I’m … Certifiably insane, but creative.

The one thing I cannot do without is: TV

The one thing I would change about my life: The amount of TV I watch.

My biggest peeve is: Being called by my last name by people who don’t really know me.

The thing I’m most satisfied with is: My past. It got me here.

For those who’ve been waiting for it, here is the excerpt from She Murdered Me that I’ve Promised:

As I reached my apartment door, I found it already unlocked and open a crack. While I might have still been suffering a little barrel fever from the night before, I remembered clearly closing and locking it. I listened and heard the subtle sounds of rustling inside.

I had no weapon to speak of, save for a pocketknife. I unfolded the blade and launched myself into the apartment.

The wall I ran into felt suspiciously like someone’s back. I looked up until I found a neck. Sure enough, the mountain in front of me was a man. I jumped back into the hallway as the wall turned around. What best could be described as a shaved silverback gorilla smiled at me. His frame filled the doorway, keeping me from seeing who else was in the room.

“Sir?” the gorilla said, “I think he’s here.”

A weak voice came from somewhere behind it, err … him.

“Does the man have dark hair, intense eyes, and a hawk-like nose?”

I had never been sized up so quickly, but there it was.

“Yes, sir, that’s him.”

“Well? Let the man into his own place, Vincent. We have to talk.” Vincent stared at my hand.

“He’s got a weapon. Should I take it?” The question left no doubt as to if he could, just whether he should.

“Heavens, no! A man can defend his castle, no matter what form that castle takes.” He let out a hollow cough then, “Now move out of the way.”

Like a boulder rolling aside to open a cave, Vincent slid over, allowing me access to the room.

“Open sesame,” I whispered, but I’m sure the man-mountain heard.

I surmised from the angle of the second voice, the man running this show was in my lab. I moved cautiously past the gorilla-man, folding the blade back into its protective sheath.

As a child, you are taught opposites. The man looking over my blueprints was the best example of a contrast to his partner I could imagine. While Vincent was swarthy and bearlike, his master was anything but: tiny; frail; blotchy skin; and, as he ran a finger over the designs, seemingly intelligent. He used a cane to steady himself as he leaned over my drafting table. Dangling from his neck, a gold chain with a ring hung low. An indentation on his skeletal ring finger indicated that he had gotten too thin to keep it there anymore.

“This design is sound. You finally fixed the catalytic converter, I see.”

I never like to look surprised. It has added to the legend that I’m some sort of genius. I had to come up with some quick deductions to keep the ball in play.

“Along with a few other changes, Mr. Reece, but then you haven’t seen The Atlantis designs in quite a while. Not that you should have seen them at all, but I guess a man as affluent as you are has first dibs on everything coming out of NMIT, right?”

He kept running a finger around the prints. “First guess. I’m pleased your attention to detail hasn’t weakened in your banishment. I was also glad to hear what you had chosen to do in the private sector. Keeps those skills sharp, doesn’t it?”

“Okay, you know me and now I know you, Mr. Reece.” With my sarcasm dial fully engaged, I asked, “How can I be of service?”

Old Money didn’t want to let the designs go. I stepped in front of him. Vincent placed a hand on my shoulder as a warning. I stared up at him incredulously while I waved a finger at Reece. “Tsk, tsk. Just like the bearded lady at the circus, you get one look for free. You need to pay extra for a closer look.”

He tittered at the comment. Maybe he liked bearded ladies and was remembering some long-lost encounter. I don’t know; maybe he just found me amusing. He slid away and slowly moved into the area I call an office. Vincent heeled, helping him into the most comfortable seat.

I entered the room, took my usual chair behind the desk, and leaned forward expectantly.

“I’m being murdered, Mr. Glass, and it’s your fault.”

And here I was, thinking this day was looking up.

 

If you’d care to follow David online, you may do so via these links:

Website:         www.davidboop.com

Facebook:      www.facebook.com/dboop.updates

Twitter:          @david_boop

You can purchase his books here:  http://a.co/bBlXBRP

The Write Stuff – Monday, January 30 – Interview With Aaron Michael Ritchey

I love it when an author merges multiple, entirely disparate genres into one, since the resulting book has the potential to take the reader down heretofore untraveled paths. This week’s featured interviewee, Aaron Michael Ritchey, did just that when he decided to combine several, apparently unrelated themes.

Aaron Michael Ritchey is the author of five young adult novels and numerous pieces of short fiction. In 2012, his first novel, The Never Prayer, was a finalist in the Rocky Mountain Fiction Writers Gold Conference. In 2015, his second novel, Long Live the Suicide King, won the Building the Dream award for best YA novel. His epic sci-fi western series, The Juniper Wars, is available now through WordFire Press. The second book, Killdeer Winds, was on Amazon’s Hot New Releases for September of 2016. Aaron lives in Colorado with his wife and two stormy daughters.

This is how he describes Killdeer Winds:

By 2058, both the Sino-American War and the Sterility Epidemic have decimated the male population. Electricity does not function in five western states. Collectively, they are known as the Juniper. It is the most dangerous place on Earth.

Cavatica Weller and her sisters have one chance to save their family ranch—a desperate cattle drive across a violent wasteland.  Having escaped from Denver, the Weller family now has to face the Juniper’s worst outlaw, the Psycho Princess.

Meanwhile, an inhuman army still dogs their every step. The mystery deepens—who is the lost boy Micaiah? Why would the richest man on Earth spend billions to find him? And will Micaiah’s secrets tear the Weller sisters apart?

Tell us about your most recent release.

The Juniper Wars Series! It’s a young adult, steampunk, biopunk, science fiction/western family drama epic about three sisters on a post-apocalyptic cattle drive. Why pick a genre when you can do all of them? It’s been described as Little House on the Prairie meets Mad Max: Fury Road. I’ll take that as a compliment.

Who or what was the inspiration behind it?

I was on my bike, cycling home, and listening to the song “Dead Run” by 16 Horsepower, which is a band that manages to combine goth and country music. And I realized I so wanted to do a western along the lines of Stephen King’s The Dark Tower Series. As the story formed, I realized I wanted to add some family drama. The show, Supernatural, does a great job of showing the interesting conflicts of a dysfunctional family. I put it all into a blender, hit puree, and out came The Juniper Wars. Bam.

What was the biggest challenge you faced writing this book and how did you overcome it?

It’s a six-book series, my friend. That’s six flippin’ books. That’s a whole lotta focus for years on end. And I had to keep it fresh. Funny, I’ve been working on the fifth and sixth book in the series, and I keep finding myself wanting to end the main character’s emotional arc. Problem is, you start ending character arcs, you end the book. If everyone is getting along, you lose that fire of conflict. Compare the last few seasons of Supernatural to the first few. The show has far less of an edge (however, season 10 did give us the high school musical episode). And so I have to keep the Weller sisters all kinds of messed up to keep it interesting. The best part of a series, though, is that I get to show how completely traumatized my characters are after facing down death time and time again. It has this weary, jaded, cynical, bruised and broken feel to it. It’s about how I feel as a novelist after nearly twenty-five years of writing books.

I honestly believe that we do not begin to fully develop as writers until we have at least a couple of decades under our belt. That’s a lot of hours and a lot of inward exploration, so I have to ask why do you write?

I write because I like stories more than I like real life. Put another way, I understand real life more because I write stories. How wonderful that I can create a world where there is poetic justice, dramatic irony, and happy endings. I can control death, illness, depravity, and love. Life is life because that whole fate business is out of our control.

How do you think you’ve evolved creatively?

I used to care what everyone thought. I’d ponder every little bit of criticism for months on end. And I’d chase edits. Now, I’m caring less and less. If you don’t like it, read something else. I imagine at some point I’ll swing the other way. I write every day. Some of it is bound to good no matter what the haters think.

What is the single most powerful challenge when it comes to writing a novel?

Writers, especially novel writers, need to be contrary creatures. The most challenging thing about long works of fiction is that you have to keep self-doubt at bay for months, if not years. I’ve been working on The Juniper Wars Series now for seven years, and for most of that time, I had no idea if anything worked or not. Then I had people who read it, and wanted me to change a bunch of stuff I didn’t want to change. And I had to stick to my guns, sometimes literally. In the end, I snarled at the universe, saying, “This is how I’m writing it. This is the book I’m writing. If you don’t like it, I don’t care. I am doing THIS and I’M DOING IT THIS WAY!” Contrary. I had to become contrary to write books. And mildly/dangerously anti-social.

Is there anything you want to make sure potential readers know?

Don’t pick up my book if you don’t want to feel. I mean that. This is a warning. A lot of science fiction/fantasy writers are far more Rush than Meatloaf, which fine, but I’m like Meatloaf. I’m like Bat Out of Hell epic, and yeah, I like over-the-top emotions. My characters cry and scream and gnash their teeth in the darkness, and those are during the good times. No, really, I write from my guts. I had a critique group who criticized me saying there was too much crying in my novel. I went home, wondering if they were right. I have a wife and two stormy daughters. After about a week, I added more crying.

Good for you! Frankly, I find all-action books that don’t touch my soul are akin to drinking a can of near beer or a cup of decaf. I don’t see the point. Would you care to share something about your home life?

I have daughters. My daughters have big, huge, amazing souls. If my life were an X-MEN comic, my daughters would be the powerful mutants that need to be kept in a coma so they wouldn’t destroy the universe. I suggested to my wife that we keep our daughters sedated and she said we’d tried that. My daughters laughed at Benadryl, and Codeine had no effect on them. But do you know what? I’m glad I have powerful big-spirited daughters. This world needs more women warriors.

What motivates or inspires you?

I really like doing difficult things. I know, that sounds kind of dramatic and badass, and while I am very dramatic, I am not at all badass. The writing game is this impossible thing, and I like that it’s so hard. It’s the hard that makes it good. I truly believe I am destined to fail, that I will die nameless, and not one person in a million will have read anything I have written. And strangely enough, that motivates me. It’s the Alamo, baby. It’s Helm’s Deep. It’s Game of Thrones, standing on the parapets of Castle Black and looking out over the Wall at the hordes of hell. It’s a losers game. And do you know what? I’m going to do it. I’m going to write books until I die. And if I fail? Oh, well. “Night gathers and now my watch begins. It shall not end until my death.”

How do you pick yourself up in the face of adversity?

I call three different people and tell them what is bothering me. I tell the same story three different times. It really works. Then I go write books.

That’s a very unique and interesting approach. I must try it some time.

Now, before I give our visitors a taste of Killdeer Winds, I’d like to conclude with a Lightning Round. In as few words as possible, please answer the following:

My best friend would tell you I’m a … a whole lotta work.

The one thing I cannot do without is: stories.

The one thing I would change about my life: is my angsty inner life.

My biggest peeve is: my angsty inner life.

The thing I’m most satisfied with is: Not much, but I will say, holding my published books in my very own hand, my name on the cover, my own ISBN, that rocks so very, very hard.

Yup! That definitely rocks. I’d like to thank you, Aaron, for gracing my website with your no-holds-barred replies. We’ll close with an excerpt from Killdeer Winds, followed by links where readers can purchase a copy and follow you online:

 

Chapter One

Certainly the Juniper is a dangerous place, but not because of outlaws, rustlers or stray bullets. No, the real dangers are the wind, solitude, and a drifting mind. When in doubt, I stay in my house and count my money. I never get lonely that way.

—Robert “Dob” Howerter

Colorado Courier Interview

August 3, 2057

(i)

The Cuius Regios were coming. I didn’t know it then, but the Regios were on their way and we didn’t have the guns to stop them.

The pain from my gunshot wounds barked like a dog on a distant neighbor’s porch. I sat on the floor of the strange room, my back against the bed. I couldn’t move. The Christmas issue of Modern Society magazine lay on my lap. The perfume of a cologne sample wafted from the glossy pages. Micaiah, cleaned and groomed, smiled at me on the cover.

But his real name wasn’t Micaiah. It was Micah Hoyt, son of the richest man on Earth. His father, Tiberius “Tibbs” Hoyt, was CEO and general jackerdan-in-charge of the American Reproduction Knowledge Initiative, otherwise known as the ARK. Tibbs Hoyt had hired an army to find his son, and we had the bullet wounds to prove it.

The foot soldiers were known as the Cuius Regios, and their commanders were the Vixx sisters, who could heal almost any wound, which sounded suspiciously like genetic engineering, however unlikely. I’d kept an eye on the popular science websites and hadn’t seen anything close to creating actual people with enhanced biology.

The idea scared me, scared me deep. How could we fight such a soulless army?

But why would Daddy Hoyt send in troops to retrieve a son who didn’t want to be found? Then again, if you give a rich man a cause, he can turn a family feud into a world war.

Before I’d gone unconscious, Micaiah had wanted to run away to protect us. Was he gone? That opened a floodgate of questions. Was Pilate still alive? Had Wren run away for good ’cause of what I’d done to her? And did my oldest sister Sharlotte still have us bound for Wendover, Nevada with our herd of nearly three thousand cattle?

First things first, I slid the magazine underneath the mattress, not sure what I would do with the information, but it felt dangerous in me. As did the pain from my gunshot wounds, barking like a dog on a distant neighbor’s porch.

I stood, moved to the window, and used my right arm to pull open the yellow curtains. My left arm throbbed as I held it to my belly. From the second story of the house, I saw our tents below—our chuckwagon dominated the front yard. Mama and I had fixed up the Chevy Workhouse II with an attachable ASI steam engine, and then found a long trailer for it to pull. We called the whole thing our chuckwagon. Next to it sat the old Ford Excelsior that had saved our lives. Cattle and horses meandered around outbuildings, barns, and hay sheds. I recognized a few of our horses—Elvis, Taylor Quick, and Bob D. Two of our best cows, Charles Goodnight and Betty Butter, stood in the strange yard, chewing cud. To my right rose a ridge of pine trees and craggy rock.

I searched the skies for the Moby Dick, the zeppelin that we’d hired to re-supply us and scout. There was no sign of it, but then Sketchy, Tech, and Peeperz might still be trying to find us after the blizzard.

Green grass pushed up from wet soil, which meant I’d been unconscious long enough for the snow to melt. Might’ve been a day. Might’ve been a week. Someone must’ve dribbled water into my mouth and then cleaned me up afterwards. Dang, but I hoped it was family that had done the work to keep me alive.

Out of the corner of my eye, something flashed in the distance—sunlight off a cast-off hunk of metal, or some bit of chrome, or a mirror, something, southeast of the house. The blinking stopped. Something didn’t feel right about it, but I had other things to worry about.

Like where I was and who owned the house.

Book online sales links:

Killdeer Winds (The Juniper Wars Book 2) – Amazon

Killdeer Winds (The Juniper Wars Book 2) – Barnes & Noble

Killdeer Winds (The Juniper Wars Book 2) – Kobo

Killdeer Winds (The Juniper Wars Book 2) – Smashwords

Social Links:

www.aaronmrichey.com

https://www.facebook.com/aaron.m.ritchey

The Write Stuff – Monday, August 15 – Interview With Emma Newman

rsz_emma_newman2Award-winning paranormal urban fantasy author, Laura Resnick, my guest on February 29th of this year, introduced me to this week’s featured author and I couldn’t be happier. Emma Newman is a masterful story-teller, every bit on a par with such greats as Nancy Kress and Mary Doria Russell. She writes dark short stories and science fiction and urban fantasy novels. She won the British Fantasy Society Best Short Story Award 2015 and Between Two Thorns, the first book in Emma’s Split Worlds urban fantasy series, was shortlisted for the BFS Best Novel and Best Newcomer 2014 awards. Her first science-fiction novel, Planetfall, was published by Roc in 2015. Emma is an audiobook narrator and also co-writes and hosts the Hugo-nominated podcast “Tea and Jeopardy” which involves tea, cake, mild peril and singing chickens. Her hobbies include dressmaking and playing RPGs. She blogs at www.enewman.co.uk and can be found as @emapocalyptic on Twitter.

A-Little-Knowledge-coverHer latest book, entitled A Little Knowledge, was released on August 2nd of this year. (Visitors please note: You will find Emma’s book buy and social links at the bottom of this interview.) It is the long-awaited return to Emma Newman’s popular Split Worlds series in which dynastic families feud across the ages, furthering the agendas of their supernatural patrons. Innocents are protected by monsters and the beautiful ones are not what they seem. The Split Worlds is an urban fantasy setting with a dash of noir, fantastical magic, evil faeries, and people just trying to drink their tea in peace.

I initially read her short story, “The Unkindest Cut”, which is a part of the anthology Monstrous Little Voices: New Tales From Shakespeare’s Fantasy World. It left me so impressed that I immediately dove into Planetfall, an unusual and highly-compelling tale about a colony of terrestrials who have settled on another world.

Your readers were undoubtedly on tenterhooks as they awaited A Little Knowledge’s release. Will you kindly provide as much about it as you can?

A Little Knowledge is the fourth in the Split Worlds series and readers have had to wait a while for it as the series changed publisher. The Split Worlds series really has to be read in order, starting with Between Two Thorns, so I can’t say too much about the fourth book without risking horrible spoilers. The series as a whole is quirky British urban fantasy involving evil Fae, mad sorcerers, feminism and lots of tea and cake.

This is a chicken/egg question and requires some preface:

I am fascinated by how flawed many of Planetfall’s characters are. It certainly makes them more human. Ren/Renata in particular is a counterpoint of strength versus weakness, certainly one of the more emotionally fragile and vulnerable characters I’ve encountered in a science fiction novel. Did you set out to portray her as such before you began, or did her particular condition evolve as the story progressed? This is also to ask if you are a plotter or a pantser. That is to say, do you outline before you begin, or do you fly by the seat of your pants?

I see this as two very separate questions, because having an idea of who your character is before writing a novel could apply to both plotters and pantsers.

So, about Ren. The entirety of the novel was built around her, which is very unusual for me. Usually there’s a question I want to answer, or a world that grows in my mind and few characters maybe, all growing together. With Planetfall, my drive was to sensitively and hopefully accurately portray the experience of a particular mental illness (which I won’t name because it’s a huge spoiler). Thoughts about the disorder and how to portray it led to critical decisions about the setting and then when I read an article about using 3-D printing to build a moon base, it all suddenly clicked into place. Not only did I just know, instantly, that Ren should be a 3-D engineer, I knew the book had to be set on a colony on a distant planet. Then lots of other things I’ve been wanting to explore for years (such as the intersection between religious faith and science) folded into it all nicely.

As for whether I am a plotter or pantser, I am a combination of the two. I usually have a good sense of the beginning, middle and end, critical plot points and some character and story arcs when I start to write a book. I then plan about five chapters or so ahead, just with bullet points and then write those scenes. If things change as I write, that’s fine. At the end of that planned section, I evaluate where things are going in line with the broader ideas of the book and then plan the next chunk in more detail. This technique is very similar to something called the “agile method” of coding big projects like complex websites. The idea is that as you can never accurately predict every single factor at the start of the project, it doesn’t make sense to make a comprehensive plan at the start and try to stick to it no matter what. Instead you do it in phases and adapt to any changes as you go along. When it comes to writing a character driven novel, I can try my best to predict what will happen, but sometimes when I get to a particular point that assumption just doesn’t feel right anymore, I adjust and carry on, like an “agile” coder. I feel I get the best of both worlds; the planning aspect enables me to minimise the need for major re-writes and allows me to manage multiple interwoven threads like in the Split Worlds. The “seat of my pants” aspect keeps the story details fresh for me – if I knew every single thing that happened in a book before I wrote it I would get bored. Sometimes writing a book is as much about finding out how it all works out in the end, as it is about completing the project.

That makes a great deal of sense, and it also validates many of the techniques I employ as I assemble my own work. Returning to Planetfall, the virtual software interface you employ throughout the book makes me wonder at your non-writing background. Do you write code or are you a gamer?

Both! Well, I used to code (I am horribly rusty now but I used to be pretty comfortable around html, MySQL and PHP) and my first proper job out of university was in information architecture and user interface design for websites. So yeah, experience in that field was definitely mulched down and grew into some aspects of the user interface in Planetfall. I am also a keen gamer—not just tabletop and live action roleplaying but also console games. I think it was my professional experience that was a greater influence of the two, that and my degree in Psychology.

That helps explain Planetfall’s protagonist. That said, no one writes characters as complex as yours without considerable life experience and a long reading list. Would you care to touch on some of the events and/or books that helped shape your work?

I think all life experiences, all books read, all films watched—everything—gets chucked in the mental compost heap and then characters, plots and settings grow up like mushrooms from it.

For some characters, I can still detect a hint of what was rotted down to make them. Cathy in the Split Worlds series does draw a lot from my own rage, but she and I are very different in personality. As for Ren in Planetfall, there is an overlap between her mental illness and the generalised anxiety disorder that I live with that I could base an aspect of her behaviour on, but again, we are more different than similar. Readers have said that the descriptions of her anxiety and a scene involving a panic attack were hard to read because they rang so true. There was a reason for that!

I am impressed by the way you reach out to aspiring authors, especially the Resources page of your website. Was someone equally kind to you while you were still in the initial stages of your journey, or have you done so because of an early absence of help?

Neither! I just like to help people. I didn’t really have a mentor when I was an aspiring writer and in some ways I think that was a good thing. It forced me to find my own way, which is what I think every single writer has to do. However, once I became published I kept hearing the same questions and the same incorrect assumptions. The Writer’s Rutter on my website shares some of the things I’ve learned, but very much with the caveat that what works for me might not work for anyone else.

That’s very much the reason why I run my workshop on overcoming the psychological barriers to writing. I got so fed up with reading interviews with writers who’d say that being a successful writer was all about sitting down and writing. For some people (I suspect most actually), there are all sorts of reasons why that might be very difficult. Being able to help people work through that is something I find very rewarding.

You are a contributor to Monstrous Little Voices: New Tales From Shakespeare’s Fantasy World. Regarding your story, “The Unkindest Cut”, who approached you to participate and what made you decide to expand on the Prospero theme?

David Moore, the editor of the anthology, mentioned he was thinking about putting it together at a convention years ago. I enthused about the concept and he remembered that, getting in touch once the project was underway. I was so thrilled to be asked, as it was a challenging brief. Not only did we have to riff off Shakespeare’s world and characters, we also had to interlink the stories.

The Tempest was one of the first plays that came to mind because I saw an amazing performance of it at the RSC when I was a student. I thought that Prospero was such a memorable figure that it would be fun to play with him and one that readers would enjoy too.

I wish I could attend this year’s LARP. Alas, not enough notice and too far away. I’m sure that by the time you can respond to this, it will have transpired. When did you start holding them and will you please share a bit about this one?

This question implies it’s a regular thing! The Split Worlds Masked Ball LARP was a one off event and it was a huge success, I’m very relieved to report. Readers can find pictures from the event on my website.

I’ve been a keen role-player and GM for many, many years and planned to run it with my best friend. Sadly she passed away and I thought I’d never be able to do it. Then a wonderful person called Katie Logan got in touch, asking if she could run a LARP in the Split Worlds universe and it took off from there. The ball was set between books three and four, with forty of the players playing characters from the novels and the short stories, and thirty-six more created for the event. It was held in the Guildhall in Bath. Everyone really went to town on their costumes and it looked amazing. I NPCed one of the characters from the books, as did my husband, and whilst it was incredibly stressful, time consuming and highly pressured, I am so very glad we did it.

I want to thank you so much, Emma, for taking time to share with us. Readers should know that, with her extremely busy schedule, we’ve been jostling for months to get this out to you while she’s been working hard to get A Little Knowledge published. Knowing, from personal experience how much of one’s time this kind of endeavor requires, I remain eternally grateful that she got back to me so soon after publication date.

For those of you who have enjoyed meeting Emma—and I have to ask, how could anyone not?—here are the links I promised earlier:

Website:         www.enewman.co.uk

Twitter:          @emapocalyptic

Other:             www.splitworlds.com

www.teandjeopardy.com

 

Book Buy Links:

Kindle (Amazon.co.uk):      https://www.amazon.co.uk/Little-Knowledge-Split-Worlds-Book-ebook/dp/B01F7TCBLO

Kindle US (Amazon.com)https://www.amazon.com/Little-Knowledge-Split-Worlds-Book-ebook/dp/B01F7TCBLO/

Paperback (Amazon.co.uk): https://www.amazon.co.uk/Little-Knowledge-Split-Worlds-Book/dp/1682302911

Paperback USs (Amazon.com): https://www.amazon.com/Little-Knowledge-Split-Worlds-Book/dp/1682302911/

Book depository: http://www.bookdepository.com/Little-Knowledge-Emm-Newman/9781682302910

The Write Stuff – Monday, October 26 – Interview With Peter J Wacks

Peter Wacks headshotToday, I have the pleasure of featuring WordFire Press’s managing editor and best-selling author, Peter J. Wacks. I was introduced to Peter earlier this year during Portland, Oregon’s Rose City Comic Con and have since learned he is truly a multi-faceted individual. His graphic novel, “Behind These Eyes”, which he co-scripted with Guy Anthony de Marco and Chaz Kemp, was nominated in 2013 for the Bram Stoker Award®. His first two novels, Second Paradigm, a sci-fi mystery thriller, and Bloodletting, an epic fantasy and Part 1 of the Affinities Cycle, which he co-authored with Mark Ryan, were both released earlier this year. In addition to his publishing endeavors, he created the international bestselling Cyberpunk CCG (Collectable Card Game), and has also been an actor and a TV producer.

coverOn or about November 15 of this year, WordFire Press expects to release Peter’s steampunk adventure, The Dandy Boys Mysteries, which WFP describes as follows:

The Vengeance universe, originally published in the Penny Dread Tales, begins here with a young Friedrich Von Helsing, who will eventually grow to fight the supernatural alongside the mysterious Brotherhood.

In the stylings of Mary Shelly’s Frankenstein and Jonathan Polidori’s The Vampyre, this Victorian adventure follows Friedrich and his band of four friends, as these five young scholars debunk the supernatural in 1839. What starts as an innocuous set of adventures studying conmen, mages, Romani curses, and mad scientists leads them down a dark path to true occult.

 

Peter, before I will give our visitors a taste of Dandy Boys, I’d like to spend some time showcasing you as a writer. Would you please tell us something about your earlier work?

 My proudest novel was Second Paradigm. It was the first novel I published, and though it is the oldest example of my work, I accomplished something with it that I’m not sure I could duplicate these days. With Second Paradigm I created a story that can be read in any order, and still delivers Build Up, Conflict, Resolution, in order. The story itself is a time travel story, which did make it easier to lay out a nonlinear plot.

You’ve piqued my curiosity. Time travel is a difficult subject. Would you care to discuss some of the awards you have won?

I have been lucky enough to find my work nominated for a couple awards. The two big nominations were “Behind These Eyes”, a horror graphic novel which was a finalist for the Bram Stoker Award, and Interface Zero 2.0 a gaming setting which was nominated for an Enny. I also wrote a preface for the 2015 Writers of the Future anthology which was turned into a short film. An interesting side note: Second Paradigm, which I mentioned before, landed me a guest speaking appearance with a chapter of Mensa – since no one before me had broken Aristotelian plotting with true nonlinear “reorganizable” storytelling.

Do you have any other books in the works?

Right now is a very exciting time. I just coauthored a novella with Kevin J. Anderson for the TV show Heroes Reborn (which I love!) I have two series on the way from Baen Books: one a multi book joint world alt-history/fantasy with Eytan Kollin, Walter Hunt, Eric Flint, and Kevin J. Anderson, the other an Urban Fantasy about an everyday P.I. who gets caught in a world of the supernatural. I have 4 other titles in various stages of shopping/signing, but I don’t want to get to far into those until I have more details on the releases.

Very exciting indeed! What is your work schedule like when you’re writing?

Intense. I prefer to go at a slower pace, but stick at it for a solid 8 hours, if not more. I do this 7 days a week, unless I have conventions or other appearances-at which point I get as much time as I can in.

Do you create an outline before you write?

I do both. Sometimes I outline, sometimes I pants (fly by the seat of my pants.) It really depends on how busy I am when I think of the story. If I have a bunch of other stuff on my plate, I’ll outline just so I can save the idea. (I have 227 draft outlines for books in my “to do” folder.

That’s great! Then we’ll be hearing from you for some time to come. I’d like to delve a little deeper, if I may. I’ll start by asking why do you write?

I know it may be cliché but I can’t not write. The people around me notice that the longer I go without writing the more of a grumpy jerk I become. It is just how I am wired.

How do you think you’ve evolved creatively?

That is a rough question. I know that I care a LOT more about digging into every layer of my characters than I did 10 years ago. They have become friends in a way that they didn’t used to be, even if I think they are jerks. I think a larger part of evolution though is that I have gained confidence. There are people out there impacted by my stories, even if I don’t have the notoriety of a headliner author, and that gives me confidence that the sacrifices of following a creative life (like I have a lot of choice – I don’t think there is anything else in the world I want to do) are worth it.

As for your “other” life, do you have another job outside of writing?

 I do not. But I do. My “day job” is as the managing editor of a publishing house, so when I’m not writing… I’m still reading and analyzing story. The oddity in my life is that my writing actually pays most of my bills; and my “day job” is something I do because I love the people I work with and find it rewarding.

Would you care to share something about your home life?

I’m a single Dad and it is one of the most rewarding pieces of my life. My kiddo doesn’t feel like she comes from a broken home, she has adopted the attitude that she is luckier than most kids because she has 3 parents that love her. But – the only piece of my life as “big” as being a writer, to me, is being the best Dad I can.

If you don’t find this next question too intrusive, what do you consider your biggest failure?

Friendships. I am so busy with writing and being a dad that I rarely have social time to check in on my friends. I feel like I fail those around me by not being available, but they still stick around, being amazing people and checking in on me to make sure I haven’t been sitting in front of the keyboard, glassy eyed, without eating for the last 36 hours. And then they feed me when they discover that, in fact, I have been.

Thank you for sharing your time with us and thank for your candor. Obviously, your readers learn something about you from your work, but your responses here reveal much more about your humanity—something I believe is essential for creating a strong reader/writer bond.

 As we close, before I provide a sample from The Dandy Boys Mysteries and provide links to where our visitors can follow you and purchase your books, I’d like to close with a Lightning Round. In as few words as possible, please answer the following:

My best friend would tell you I’m a …                               Workaholic.

The one thing I cannot do without is:                                Unwind time with my daughter.

The one thing I would change about my life:                 The number of hours in the day. We need to move the planet a bit, get up to a nice 36 hour day.

Hah! My sentiment exactly. My biggest peeve is:         Having to sleep.

The person/thing I’m most satisfied with is:                  My kiddo. She is the awesome.

For those of you who have stayed with us to the end—and how could you not have? Great responses, Peter—here is the excerpt you have been waiting for:

Journal One
The Gypsy Curse

Entry One

 

In April of 1838, Cambridge University issued advanced degrees to several individuals of note. This was done in recognition of the completion of their studies and exemplary performance, as well as their keen insights and application thereof to the problems thus presented by the world.

The honorarium was attended at the newly founded Thomas Graham House headquarters of the Royal Society of London, located on the outskirts of Cambridge. Though Graham had been a fellow for only two years, great things were expected of him as a chemist who more than rigorously applied the Socratic Method to his studies.

Among these so laureled were the founding members of The Fellowship of Adventurer Scholars for the Revelation of Mythology and the Advancement of Natural Philosophy. The Fellowship was a bold venture, one which would cast aside such methods which found men of science cloistered in musty rooms, and would instead embolden its Fellows to embrace the very Spirit of Discovery.

Musty rooms could, as some had said, only contribute to the knowledge and study of musty rooms, while the world beckoned from outside the windows, enticing the inquiring mind to dissect and study its many wonders.

While the Fellowship did aspire to become a branch of the Royal Society, it was by no means intentioned to be constrained by the guiding vision of those notable gentlemen; rather, it sought to show that the empirical methods of these great explorers of the mind were better suited for examinations of the natural world.

Founded, as it was, by those more … youthful in nature, The Fellowship embraced travel and exploration. The body of the Fellowship of Adventurer Scholars consisted of Niles Byron, the eldest son to Lord George Gordon Byron; Dominic William Weyland, the youngest son of the noted industrialist Thomas Weyland; William Owen Wilson of the Oxford Wilsons; Rufus Emmerson, whose father had acquired a small fortune as the principle financier of the Weyland Industrial Consortium; and Friedrich Von Helsing, of house Helsing, who was himself second in line to a small barony in northern Germany.

Each of these men were of the highest caliber, as defined by the mind if not by blood, and disciplined with their time and intellect, bringing both to bear on the problems that so willfully accosted the good men and women of The Emperor’s.

While the exact nature of their introduction is unknown, it is common knowledge that these gentlemen shared several interests and associations while attending the King’s College, and that they could often be found in each other’s company. Despite their disparate social statuses, their shared intellectual and literary interests led them to engage in regular symposiums of the true Greek fashion.

In addition to such shared interests, the disciplines which these men mastered contributed greatly to their collective venture, as if the fates themselves had guided their interests toward that which would best accommodate their quest for truth in a darkened world; but perhaps even their philosophies at this time were not sufficient to dream of all the things in heaven and earth. Though the world may be a stage, and the Adventurer Scholars were but players, the ideas they pursued were, to them, the very parchment and ink with which the great playwright scribbled the tragedy of the world.

Niles Byron had, at that time, received his degree in matters of the Law. The discipline which was intended to prepare him for the affairs of his estate had instead provided the Fellowship with the ability to deftly maneuver the many difficulties of the world’s changing political spheres. It also allowed them a certain ease of passage through customs points, for in a world of imperial rule, the force of law could compel compliance more swiftly then could a blade, just as the badge of citizenship could defend better than any shield. And were one to find themselves in such a place as rejected these authorities, then the quick wit of the esquire could be called upon to lubricate the most insurmountable of obstructions.

Simultaneously, the title of Medical Doctorate, which had been bestowed upon both Rufus and Wilson, granted the coterie many tangible investigative insights, as well a certain degree of universal social acceptance. For who does not value the man who can heal all ailments and address even the sicknesses of the soul? Having two such fine exemplars of the field in their company could only further the prestige of the Fellowship and contribute to their study of the human phenomena which so captivated their interest.

It was the analytics and theoretics of Natural Philosophy—obtained by both Weyland and Helsing—which rounded out the group’s skills and provided a firm methodology for what followed.

If you’re looking to follow Peter, you may do so here:

 Facebook:      www.facebook.com/PJWacks

Twitter:          www.twitter.com/peterjwacks

Website:         www.peterjwacks.net/

 Buy Links:     www.wordfirepress.com

www.amazon.com/Dandy-Boys-Mysteries-Vengeance-Book-ebook/dp/B014WWE5SE

The Write Stuff – Monday, October 12 – Interview With Nancy Kress

I was introduced to Nancy Kress by my previous guest, Mike Resnick, this past August at the WorldCon book launch party that WordFire Press was throwing for his newest release. The guestroom where the party occurred was growing increasingly crowded as Mike led me through the throng of partygoers toward an attractive brunette seated on a couch against one of the walls. When he told her about my interview series, she smiled and immediately gave her email address to this stranger standing before her, assuring me she would be delighted to participate. I could see I was interrupting her conversation with the woman seated next to her, so I thanked her as best I could and made myself scarce. To this day, I wish I had had a better opportunity to get to know her. This then, is your chance and mine to acquaint ourselves with one of the all-time masters of sci-fi and fantasy.

Nancy KressNancy Kress is the author of thirty-three books, including twenty-six novels, four collections of short stories, and three books on writing. Her work has won six Nebulas, two Hugos, a Sturgeon, and the John W. Campbell Memorial Award for the novel Probability Space. She often writes about genetic engineering and is perhaps best known for the Sleepless trilogy, beginning with Beggars In Spain, a complex look at the intersection of genetic engineering and national economics. Most recent works are the Nebula-winning Yesterday’s Kin (Tachyon, 2014) and Best Of Nancy Kress (Subterranean, September, 2015). Her work has been translated into more than two dozen languages, including Spanish, French, German, Croatian, Danish, Hebrew, and Klingon.

In addition to writing, Kress often teaches at various venues around the country and abroad; in 2008 she was the Picador visiting lecturer at the University of Leipzig. Currently, every summer she teaches Taos Toolbox, a two-week intensive writing workshop, with Walter Jon Williams.

She describes her most recent release, Best Of Nancy Kress, this way:

This collection holds twenty-one stories, written over nearly forty years and representing the best of Nancy Kress’s fiction. Three of these stories have won the Nebula, the Hugo, or both, and another four were nominees. They include time travel (“And Wild For To Hold”), hard SF (“Shiva in Shadow,” “Margin of Error”), alien planets (“Flowers of Aulit Prison,” “My Mother, Dancing”), trenchant satire (“People Like Us”), near-future extrapolation of current technology (“Someone to Watch Over Me”), explorations of social movements (“Beggars in Spain”), and unclassifiable (“Grant Us This Day”). The gorgeous cover, representing Anne Boleyn in “And Wild For To Hold,” is by Tom Canty.

The stories were chosen by Kress herself, who says: “The stories in this book try to do different things. Some, such as ‘People Like Us,’ are predominately idea stories. Some, like ‘Laws of Survival,’ are mostly interested in what a character would do in an impossible situation. Some, like ‘Unto the Daughters,’ were written because I enjoyed writing the voice. At least one, ‘Casey’s Empire,’ is a comment on writing science fiction: why, how, and at what cost one may become an SF writer. I picked the stories that are my personal favorites.”

The Best Of Nancy Kress received a starred review in Publisher’s Weekly, which called it a “sparkling and thoughtful collection…Kress has a gift for focusing on the familiar and the personal, even in the most alien settings.”

Nancy, thank you so much for agreeing to honor us with your presence. You’ve been writing for nearly forty years and have almost one book still in print for each of them. In addition to your many Hugo and Nebula award-winning science fiction novels and novellas, you’ve written numerous short story collections so I am compelled to ask, how do you keep your writing fresh?

Writing evolves. My first three novels were fantasy, the first heavily influenced by Peter Beagle (a fact mentioned by every single reviewer of the book). Then I moved on to more traditional fantasy, before deciding I’d like to write a science fiction book. I did some thrillers, some space opera, and, increasingly, hard SF based on emerging science. The disadvantage of this is that, unlike some other genre writers, I have not built a “brand” with a coterie of faithful followers sure that they will like the next book because they liked the last one. The advantage is that it does keep writing fresh to always be trying something new. And, of course, with hard SF, there is always new science to draw on.

I enjoy Beagle’s writing, as well. Many writers specialize in either non-fiction or fiction. Some choose to write almost exclusively novels or short stories. I, for one, feel I need novel-length works to develop my themes, yet you seem to thrive in virtually every writing environment there is, including non-fiction. While many of your books are for adults, your 2013 novel Flash Point targets a YA audience, something that requires an entirely different mindset. I don’t mean to sound disparaging—far from it—you’ve earned my greatest respect. Nonetheless, I have to ask how is this possible?

I think some writers are natural novelists; some are more effective at shorter lengths. I’ve experimented with all of them, and my conclusions are two: First, my favorite length for science fiction is the novella. It is long enough to develop an alternate world but short enough that only one plot line is needed, which lets the writer drive that one on through for maximum punch. Second, I think I am a better writer at short lengths than at novel lengths. All my awards except one are for short fiction. As for Young Adult books—Flash Point was also an experiment, but not one I will repeat. I didn’t really understand fourteen-year-olds when I was one, and the teenage culture now is not something I think I can successfully appeal to.

Many of your works delve into areas that require great technical expertise, for example genetic engineering and artificial intelligence. Yet, as far as I can tell, before your writing exploded, you transitioned from being an educator to working in advertising. What do you read to develop the knowledge base required for your books?

I wish I had a scientific education! Had I known when I was young that I would turn into an SF writer, I would have chosen differently. Instead, I hold a Masters in English. To write about genetic engineering, I research on-line, attend lectures, and pester actual scientists with questions. My best friend is a doctor; she goes over my work to check that I have not said anything egregiously moronic.

A career such as yours has many turning points, some striven for, others that blind-side the recipient for better or for worse. Would you care to provide two or three of the more pivotal moments?

The first turning point for me came with the writing of the novella “Beggars in Spain,” which won both the Hugo and the Nebula and which would never have been written without a jolt from writer Bruce Sterling. At a critique workshop we both attended, he pointed out that my story was weak because the society I’d created had no believable economic underpinnings. He said this colorfully and at length. After licking my wounds for a few weeks, I thought, “Damn it, he’s right!” In the next thing I wrote, “Beggars in Spain,” I seriously tried to address economic issues: Who controls the resources? What finances are behind what ventures? Why? With what success? My story about people not needing to sleep, which I’d actually been trying to compose for years, finally came alive.

Another big turning point for me was deciding to make my two biothrillers, Oaths And Miracles and Stinger, as realistic as possible. That meant a lot of scientific research. My reward was having both scientists and FBI agents tell me, “I believed every word you wrote.” Very satisfying.

Would you be good enough to describe your path to publication?

I began with three short-story sales to SF magazines. That convinced an agent to look at my first novel, without making any promises of representation. But she liked the book, and so she took me on.

What are you working on now?

I’m writing an SF series based on my novella “Yesterday’s Kin,” which won the 2014 Nebula. Aliens come to Earth—but they are not as alien as we think, and they bring both great tech and bad news. When I finished the novella, I felt that the immediate story was done but not the greater implications. A three-book series will come out from Tor over the next few years.

Best-NKressOn September 30 of this year, Subterranean Press is releasing The Best Of Nancy Kress, a collection of twenty-one stories written over thirty-five years. I’m really pleased about this.

If there is such a thing, describe a typical day.

I am a morning writer. I wake up early (very early, and it’s getting worse as I get older), drink coffee while puttering around for an hour or so, and then write. If fiction doesn’t get written by noon, it doesn’t get written. In the afternoon, after a walk with my husband and the dog, I do research, email, edit student manuscripts if I am teaching just then, social media—all the non-writing things that go with being a full-time writer. Evenings that we are home, I read. Of course, all this changes with the of actual life. But that’s the basic template.

I’m no stranger to rising early to write. I understand the morning routine very well. Would you care to share something about your home life?

I live in Seattle with my husband, writer Jack Skillingstead, and Cosette, the world’s most spoiled toy poodle. I’ve been here in Seattle for six years now, having moved from upstate New York to marry Jack, and I love the city. It’s beautiful, temperate in climate (unlike Buffalo, where I grew up), and culturally rich. Also, there is a large SF community here.

What inspires you, not necessarily as pertains to your writing?

Narrative and science both inspire me. I get the narrative from books, movies, and some TV. I love movies and go often. The science I must seek out. In addition, I play a fair amount of chess, but I can’t say that inspires me because, alas, I’m not very good at it. When I was younger, I didn’t think you could really enjoy something you were bad at. Turns out I was wrong.

Which authors do you enjoy—sci-fi and otherwise—and why?

My favorite author is Jane Austen: not an intuitive choice for an SF writer. But her satire on how humans behave is just as fresh, funny, and true today as it was during the Regency. Out of genre, favorites include Somerset Maugham, Anne Tyler, Philippa Gregory, Karen Joy Fowler. In SF and fantasy, a diverse group: Ursula LeGuin, Bruce Sterling, Connie Willis, George Martin’s Game Of Thrones, Daryl Gregory, Fred Pohl. Some new, some old.

I always conclude my interviews with what I call a Lightning Round, since the responses often yield unexpected insights. In as few words as possible, please complete the following:

My best friend would tell you I’m… Over-organized, always wanting to know “what is the plan?”

The person I’m most proud of is… My two children.

The one thing I cannot do without is… Coffee.

The one thing I would do over is… You don’t really expect me to answer that in public in any significant way, do you?

Hah! No. I guess I don’t. The thing that always makes me laugh, right down to my gut, is… My husband. He has a wonderful dry sense of humor. My two children.

Nancy, thanks once again for joining us, most especially for your thoughtful replies. (I also need to find a copy of one of your works in Klingon. What an item that would be!)

Those dropping in for a peek can learn more about this wonderful author via these links:

Website:         www.nancykress.com

Twitter:          @nancykress

Facebook:      https://www.facebook.com/nancy.kress.9

You may purchase her books here on Amazon:               http://www.amazon.com/s/ref=nb_sb_ss_c_0_11?url=search-alias%3Dstripbooks&field-keywords=nancy+kress&sprefix=Nancy+Kress%2Caps%2C206

Or through her Amazon author page:       http://www.amazon.com/Nancy-Kress/e/B000AQ4SK2/ref=sr_tc_2_0?qid=1444280027&sr=1-2-ent

The Write Stuff – Monday, September 28 – Interview With Mike Resnick

This week’s guest, Mike Resnick, is one of science fiction’s undisputed titans. He’s won 5 Hugo awards and holds the record for 37 nominations. He’s won a Nebula Award, 10 HOmer Awards with 24 nominations, as well as too many other US and foreign awards to mention here. Wikipedia credits him with 66 novels—Mike claims 76 and he can prove it— and 26 short story collections. He has edited 41 anthologies, written 10 non-fiction books and 261 pieces of short fiction. He wrote the plot for “The Fiend from the Forgotten City,” a 1974 Conan the Barbarian comic, and with his wife, Carol Resnick, has co-edited Resnick’s Library of Worldwide Adventure: 5 non-fiction collections of travel tales from various authors. That series was preceded by 9 books in Resnick’s Library of African Adventure that he edited on his own. If all this wasn’t enough, he’s sold a short story collection to Russia, edited an anthology for Italy, has sold 8 short fiction pieces abroad, and 8 novellas as stand-alone novels overseas, all in addition to what I’ve noted above. And the list keeps growing.

Mike at 2012 Writers of the Future ContestI had the pleasure to meet Mike Resnick—he’ll tell you right away “Mister” is some other guy—this past August, in Spokane, Washington at the WordFire Press WorldCon book launch party for the re-release of his novel, The Outpost, first published in 2001 by Tor Books. I’m not sure what I expected, perhaps an unapproachable celebrity, but to my delight I discovered that Mike is an all-around nice guy. He’s warm, generous and immediately welcoming, not the least bit distant. When I told him about The Write Stuff, and asked if I could feature him, to my surprise and accruing respect, not to mention gratitude, he immediately agreed. After telling me how he’d like to introduce me to his daughter, the award-winning sci-fi author, Laura Resnick, for an interview, he looked across the room and said, “There’s Nancy Kress. Come. Let me introduce you to her.”

Mike, Despite your monumental legacy, I am emphatically not going to ask the tired, old question: where do your stories come from? All authors know that the stories choose us. Instead, as one of many who have produced only a handful of works, I am compelled to ask, how do you keep your writing fresh?

I think the true answer to that is that I simply love writing. I suppose the more acceptable answer is that I alternate serious fiction with humorous fiction with non-fiction, and that two or three times during a novel I’ll take a few nights off (my typical working day is 10:00 PM to 5:00 AM, when no one rings the phone or knocks on the door) and write a short story, then go back to the novel totally refreshed.

I think it’s a given that heroes are often not as either legend or society portrays them. The Outpost’s premise suggests that, when modesty does not prevail, they may not even be as heroic as they perceive themselves. Why is this?

If you didn’t see them perform their heroic deeds, there’s every likelihood that they were exaggerating or fantasizing. And most people who are capable of one or two acts of daredevil heroism are not capable of constantly repeating those acts. Which is okay. I’d rather read about Conan or the Gray Lensman than live next door to them.

As our visitors will see, by the excerpt at the end of our conversation, The Outpost is a tongue-in-cheek yarn and dry humor pervades it. Other writers might have chosen scathing criticism in telling the same tale. You obviously believe wit and irony are more effective tools. Why so?

Probably because I don’t hate or resent the heroes of our space operas, nor am I contemptuous of them. I find them kind of endearing, symbols of my long-ago youth. And because I am both fond of them and totally disbelieve most of what they’re supposedly capable of, I find humor is the best way to deal with them. (My bibliographer tells me that I’ve sold something like 130 humorous stories, more even than my late friend Bob Sheckley, who was the king of all SF humorists.)

A career such as yours has many turning points, some striven for, others that blind-side the recipient. Would you care to provide two or three of the more pivotal ones?

Santiago was my first national and international bestseller; it’s the book that put me on the map. Kirinyaga has picked up 67 major and minor awards and nominations to date, and enhanced my prestige in every country I sell to (29 at last count). “Seven Views of Olduvai Gorge” has won more awards all over the world – here, Spain, Japan, Croatia, France – than anything else I’ve written, and just sold to its 24th market.

You certainly deserve the wide-spread recognition.

I’d like to look back to the time before you began writing sci-fi. Most of your followers are unaware of your early writing career. A friend of yours, whom I met at WorldCon, whose name I am embarrassed to say I do not remember, said he knew you back in those old Chicago days and told me about some of your earliest writing efforts: “adult” novels. How did you make the break from those into more serious work?

A lot of us served our apprenticeships in the “adult” field—me, Bob Silverberg, Barry Malzberg, maybe a dozen other science fiction writers, a couple of mystery Grandmasters (Laurence Block and Donald E. Westlake)—a bunch more. It was a place where you could make a lot of money while you were learning how to write.

There came a time, 200+ four-day novels into my career, that I decided if I wrote one more 96-hour novel or one more 6-hour screenplay, my brain would turn to putty and run out my ears. We were breeding and exhibiting collies at the time—we had 23 champions between 1968 and 1982, almost all of them named after science fiction books or characters—and I figured, well, if Carol and I can take care of a dozen or so happy, healthy collies and I can still grind out this multitude of books, maybe we should invest in a kennel. Clearly it was the one other thing we could do without re-training. So we spent a year looking all over the country, and finally bought the nation’s second-biggest luxury boarding and grooming kennel in Cincinnati. We bought it in 1976, hired and trained a staff of 20, and by 1980 it was practically running itself, and I began writing what I wanted to write, and at a reasonable speed. (Well, reasonable for me or Silverberg or Malzberg; fast for anyone who hadn’t come out of the same field.)

When the writing out-earned the kennel five years in a row, we sold the kennel in 1993, but elected to remain in Cincinnati.

Now that should amaze some of our visitors.

My wife, Toni, acts as the first set of eyes for my books, so I was pleased to learn that your own wife, writer Carol Resnick, who co-authored two of your movie scripts, has contributed to many of yours. Would you care to expand on her contributions?

She was Carol Cain until we married in 1961; she’s been Carol Resnick ever since, and that’s the only name she uses. The only writing she’s signed her name to is a couple of screenplays we co-authored. She’s also co-edited a line of true-adventure reprints with me.

I discuss every idea with her before I sit down to write, and she’s my first reader and my line editor. When she says it’s ready to go, it sells 100% of the time.

If there is such a thing, describe a typical day.

I wake up at about 3:00 in the afternoon, go downstairs to my office (the house was built to our specs back in 1986; 4000 square feet, but with only two bedrooms…plus two libraries, a large office, and a greenhouse). I check my e-mail, answer what has to be answered immediately, and then, somewhere between 4:30 and 6:00 PM we drive out to one of our usual restaurants for dinner (well, it’s a dinner menu, but it’s my breakfast). We come home, watch the news (which we’ve recorded while we were out), I do any editing or proofreading I have to do, and I read submissions to Galaxy’s Edge, which I edit. I check e-mail again—I do a lot of business overseas, and they’re just waking up and getting to their offices between 8:00 PM and midnight here. About 10:00 PM I’ll sit down and start writing. Usually I’ll take a break about 1:00 AM, and as often as not we’ll drive out to Applebee’s or IHOP or similar for a snack. Back by 2:00, and write til just about sunrise. I go to bed about 6:00, read my Nook for maybe an hour, and then go to sleep until midafternoon the next day. I know it doesn’t sound wildly exciting, but it is wildly satisfying.

What inspires you, not necessarily as pertains to your writing?

Helping new writers, collaborating with them to get them into print, buying from them for my anthologies and/or for Galaxy’s Edge. Over the years I’ve “adopted” maybe 20 of them. (Maureen McHugh calls them “Mike’s Writer Children”.) I should add, with fatherly pride, that my real child, Laura, has won awards in romance, travel writing, and science fiction (the Campbell) and probably outsells me these days.

Which authors do you enjoy, sci-fi and otherwise?

In science fiction: C. L. Moore, Bob Sheckley, and Barry Malzberg are probably my three personal favorite. Elsewhere: Damon Runyon, Joe Heller, Nikos Kazantzakis, Raymond Chandler, Ross H. Spencer, Sara Gruen, Steven Suskin, a bunch more.

I always conclude my interviews with what I call a Lightning Round, since the responses often yield unexpected insights. Before I share an excerpt from The Outpost, in as few words as possible, please complete the following:

My best friend would tell you I’m… dependable.

The person I’m most proud of is… Laura.

The one thing I cannot do without is… Carol.

The one thing I would do over is… watch my blood sugar. (I went blind in one eye back in 2003 due to diabetes. I see just fine with just my left eye, but I’d like to know I had a spare in case I needed it.)

The thing that always makes me laugh, right down to my gut, is… listening to self-important fools pontificate at conventions or workshops.

That response makes me laugh! Thank you so much for sharing your time with us. I’ve been an avid follower for years and I suspect more than a few of today’s visitors are as well.

 At the bottom of this page, right after this excerpt, visitors will find a few links to Mike’s books and website.

 From The Outpost

The OutpostNow, you people don’t know me, so you don’t know that I ain’t much given to exaggeration, but take my word for it: the Dragon Queen was the most beautiful female I had ever seen in a lifetime of admiring female critters of almost every race and species.

Her hair shone like spun gold. Her eyes were the blue of the clearest lagoon. Her lips were a brilliant red, and moist as all get-out. And one look told me that if she was a typical Dragon Queen, then Dragon Queens made Pirate Queens look like schoolgirls from the neck down.

She’d been poured into a skin-tight metallic dress. She had breasts that just out-and-out defied gravity, and the tiniest waist, and smooth, silken thighs, and I tried real hard not to pay much attention to the fact that she was toting even more weapons than I tended to carry myself.

“Have you got a stiff neck?” she asked after a couple of moments in a voice that was a little bit harsher than I expected from someone that beautiful.

Well, that wasn’t quite where I was stiff, if you catch my delicate and subtle meaning, but I assured her that my neck was just fine.

“Then look at my face,” she commanded.

I did so, and suddenly spotted something I’d missed the first time around, which was that she was wearing a golden tiara, and smack-dab in the middle of it was the biggest, most perfect ruby I’d ever seen.

“Miss Dragon Queen, ma’am,” I said, “I hope it don’t embarrass you, but I have to declare that you are unquestionably the most beautiful woman I have seen in all my wanderings across the length and breadth of the galaxy, to say nothing of its height and depth.”

“You may call me Zenobia,” she said, and now her voice was more like a purr than a snarl.

That didn’t surprise me none, because I’d met eleven Pirate Queens in my day, and eight of them were called Zenobia, and I figured that if you were an exquisitely-built young woman possessed of unbridled lust and an overwhelming desire to conquer the galaxy, Zenobia was the name that just naturally appealed to you.

“It’s a name fit for a Dragon Queen,” I assured her.

She stared at me through half-lowered eyelids. “You interest me, Catastrophe Baker,” she said. Suddenly she snapped to attention, which produced an effect most men would pay good money to see. “But first, to business. You stole thirty pounds of my plutonium. I want it back.”

“What does a pretty little thing like you need with enough plutonium to blow up half dozen star systems?” I asked.

She smiled. “I plan to blow up half a dozen star systems,” she said.

“Just for the hell of it?” I asked, because you never knew what Pirate Queens might do when they felt irritable, and I figured Dragon Queens weren’t much different.

“There are six warlords out here on the Rim. As my first step in the conquest of the galaxy, I plan to assimilate their empires.”

“Well, why didn’t you say so in the first place?” I said. “Hell, assimilating empires is something I’ve always had a hankering to do. I think we should become partners.”

“You’re hardly in a position to make demands!” she snapped.

I held up my hands. “You mean these things?” I asked, indicating the manacles. “I just let them put ’em on me so I could meet you. There ain’t never been a chain that could hold Catastrophe Baker.”

And so saying, I flexed my muscles and gave one mighty yank, and the manacles came apart. Four or five of her bodyguards—did I forget to tell you she had a small army of bodyguards?—jumped me, but I just leaned down, straightened up, and sent ’em flying in all directions.

She stared at me, wide-eyed, and I could tell that she was torn between yelling “Off with his head!” and “Off with his clothes!”

“I may have even more uses for you than I thought at first glance,” she said at last.

“Then we’re partners?”

“Why not?” she said with a shrug that went a lot farther and lasted a lot longer than your standard shrug.

“Well, if we’re partners,” I continued, “I’d sure be interested in knowing why you’re a Dragon Queen rather than a Pirate Queen.”

“And so you shall, Catastrophe Baker,” she said, walking over and taking me by the hand. She smelled good enough to eat. “Come with me.”

 

Website:         www.mikeresnick.com

You may join his Listserv through his website.

Facebook:                              https://www.facebook.com/mike.resnick1

Amazon POD & ebook buy links:

http://www.amazon.com/s/ref=nb_sb_ss_i_1_12

B&N POD & ebook buy links:

http://www.barnesandnoble.com/s/Mike+Resnick?_requestid=168160

The Write Stuff – Monday, May 19 – Interview With Author Massimo Marino

I feel especially privileged today to host the award-winning science fiction author, Massimo Marino. After reading DAIMONES, the first volume of his trilogy, I knew I wanted to share this author with you. Not only is his story’s premise original, but his writing is subtly compelling. He manages to draw the reader in with intrigue, rather than the violence and fast-paced action so characteristic of the genre. And while it is not unheard of for a scientist to write science fiction, Massimo manages to interweave paranormal and mythological events into his tale. I asked Mr. Marino to begin by telling us about himself.

MM

I’m Italian, and because even in Italy that means everything and nothing at all, I should say I am Sicilian. I was born in Palermo, and as it happened with countless Sicilians, I left it, back in 1986. I lived more years abroad than in my home country, and I have changed in many and different ways than my old friends there. It is always a pleasure to go back, but it is now 6 long years since my last visit. Saudade? Maybe, a little.

I lived in Switzerland, France, and the United States. I am a scientist as a background, and have spent over 17 years in fundamental research. Most of my writing are then academic stuff, and I always wonder at how much Google is able to find about everyone. I am sure one has to Google oneself so not to forget too much…

I worked for many years at CERN—an international lab for particle physics research near Geneva, Switzerland—then in the US at the Lawrence Berkeley National Lab. Fantastic moments and memories from those years. In 2005 I moved to the private sector, worked with Apple Inc., and then for the World Economic Forum.

I wrote since I was a kid, short stories and novellas, but never had anyone read it. It was a personal thing. Then, work and life took their toll and I stopped. Slightly over a year ago, for various reasons, I started again with some burning inside that needed to come out. On the first weekend I got over 15000 words, then subscribed to critters.org for peer review, lurked a year keeping on writing and getting feedback.

On September 2012 my debut novel, DAIMONES, saw the light. It received the 2012 PRG Reviewer’s Choice Award in Science Fiction. Last February it was awarded with the Hall of Fame – Best Science Fiction by Quality Reads UK, and received over 64% of the 1600+ readers votes. To the day, DAIMONES has sold over 4,000 copies. Both novels are available as digital and printed editions.

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The sequel, ONCE HUMANS, was published last July and has sold more than 1,000 copies since. I’m writing Vol.3, THE RISE OF THE PHOENIX. Its Prelude (chapters 1-4) has been published last November and readers can have a taste of what’s coming in the trilogy.

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The novels have been optioned by an Independent Audiobook Publisher in the US, Sci-Fi Publishing LCC, and both DAIMONES and ONCE HUMANS are now available as audiobook, too. (From audible.com, Amazon and iTunes).

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What you have told us about DAIMONES’ debut is tantalizing. Would you please detail a bit more about your path to publication?

I started as many others with query letters to agents and publishers. A good number asked for reading a few chapters. I only had two kind of replies: total silence, or personal words of appreciation for the story, my background, my voice, the “lyric of the prose”, and encouragements with the caveat that the market is looking unfortunately for something else. After a while, because the market is made of readers, I decided to verify myself if the market was looking for something else. Thus, I became the publisher of my work. I have a team supporting me, beta-readers, proofreading services, a copy editor, and a graphic professional for the covers. I’ve sold over 6000 copies of my books and critiques and readers appreciation are close to 90%.

I believe it would be the same even after 6 million copies, the sample I have is convincing enough.

I received two offers — since I published — from small publishing companies but the current standard of contracts is laughable. I said thanks but no thanks in both cases.

As I intimated at the outset of our discussion, your premise is unusual. What is the story behind the story?

The animal deaths around the world. Those intrigued me, they still happen, unexplained, targeting one single race at the time and leaving all others undisturbed. Don’t look like natural events and yet I’m not aware of any serious scientific investigation on what’s happening there. Who knows, maybe the Daimones trilogy is nothing but a premonition?

One would suspect that a scientist would write about, shall we say, down to earth matters. What made you choose science fiction?

I grew up with brother and dad buried under sci-fi novels. Dad received Astounding Stories magazine and I wasn’t allowed to read those but I looked at the pictures and fantasized. Later on, I started reading sci-fi, too.

In your own words, why is your writing different from other sci-fi authors?

Sci-fi is considered by many a minor, less valuable genre, not good for good, discerning readers, full of crazy ideas with little ground on reality, shoddy characterization and the equivalent of a B-series, low budget Hollywood movie. I think sci-fi can be of the highest literature, allowing the author to stress the boundaries of the society and the universe where the characters interact to explore any and every major high literature themes. I look after Literary Science Fiction.

I agree. Will you tell us what you are working on now?

I’m working on the launch of Vol. 3 of the trilogy: THE RISE OF THE PHOENIX. At the times of posting this interview it might be already available as ebook and paperback from major retailers and the audiobook being produced.

When you’re not marketing your work, what is your writing day like?

When I write a new book, I write every day. I aim at 2500 words. Good or bad doesn’t matter. Inspiration has to find me while I write, not while I’m attending other stuff.

Are there any awards you’ve received you haven’t mentioned above?

The novels have received the PRG Reviewer’s Choice Award in Science Fiction and Best Science Fiction Series. They have been awarded the Awesome Indies Gold Seal of Approval and the Seal of Excellency in Writing by the IndiePENdents.org association. But the greatest honor is when the stories touch the heart and soul of readers and prompt them to share their feelings with a 4 and a 5 star review.

I’ll be more direct. Aside from these, why should someone buy your books?

To spend good time reading immersive novels, to be provoked and questions beliefs and certainties, to daydream together.

Excellent answer! Let’s leave writing behind. I know you live in wonderful places in Europe—France, Switzerland and Italy. Many would consider these ideal. What is your dream location?

In a villa overlooking the Ocean in Big Sur, California.

Not a bad choice at all. In view of your marvelous career to date, what would be your dream job?

Being able to earn enough royalties from my books every month to pay for all I and family need. And writing new novels for new readers – sharing the visions and gifting them with pleasant reading times, moments of evasion and fulfillment.

Would you care to share something about your home life?

I have two furry, rascal cats who are the reasons for my pauses during a writing day, otherwise I’d forget about lunch, physiological rests, and any other task requiring my attention at any moment. When I write, I’m no more there. My cats arrive, place their paws on my hands or walk over the keyboard and stare at me. They give me the look: “Time to take a break.”

Even though your life may seem ideal to many of those visiting today, no one’s is perfect. So I have to ask, how do you pick yourself up in the face of adversity?

Panting and huffing, and with the support of my family.

Do you have a favorite quote?

“’Tis the good reader that makes the good book; in every book he finds passages which seem to be confidences or sides hidden from all else and unmistakably meant for his ear; the profit of books is according to the sensibility of the reader; the profound thought or passion sleeps as in a mine, until it is discovered by an equal mind and heart.” ~ Ralph Waldo Emerson

Thank you. That’s a new one for me. Before we bring this interview to a close, I have a few Lightening Round questions.

The one thing I cannot do without is:

My tool for writing and doing research: my Mac Book Air

In one or two words, what is your defining trait?

Compulsive, passionate

Hard copy or ebook?

Both. There are moments for both.

Vice? Virtue?

It’s no virtue to have no vice.

Favorite book:

The one I’m reading at the moment.

Do you have a parting thought you would like to leave us with?

A note to readers: Sales are great, press releases, interviews, live radio guest appearances are exciting, climbing the ranks and entering the Top 100 Authors for my genre is exhilarating, but nothing beats the support of all readers and friends and fellow writers who share the thrill with me. You’re the best readers any writer could ever have. Without you giving my stories a chance, nothing would ever be possible.

Links:

http://Author.to/MassimoMarino

http://myBook.to/Daimones

http://myBook.to/OnceHumans

http://myBook.to/PhoenixPrelude

http://youtu.be/ROnM9qPRXJU

http://youtu.be/ty6oCzWx-o4

 

Press Releases:

http://www.prweb.com/releases/2013/12/prweb11406686.htm

http://www.12newsnow.com/story/24050894/award-winning-post-apocalyptic-science-fiction-daimones-audiobook-now-available-on-amazon-itunes-and-audible

http://www.wireservice.ca/index.php?module=News&func=display&sid=9540

http://www.wireservice.ca/index.php?module=News&func=display&sid=10926

http://www.prweb.com/releases/2013/12/prweb11424216.htm