Today, I have the pleasure of featuring WordFire Press’s managing editor and best-selling author, Peter J. Wacks. I was introduced to Peter earlier this year during Portland, Oregon’s Rose City Comic Con and have since learned he is truly a multi-faceted individual. His graphic novel, “Behind These Eyes”, which he co-scripted with Guy Anthony de Marco and Chaz Kemp, was nominated in 2013 for the Bram Stoker Award®. His first two novels, Second Paradigm, a sci-fi mystery thriller, and Bloodletting, an epic fantasy and Part 1 of the Affinities Cycle, which he co-authored with Mark Ryan, were both released earlier this year. In addition to his publishing endeavors, he created the international bestselling Cyberpunk CCG (Collectable Card Game), and has also been an actor and a TV producer.
The Vengeance universe, originally published in the Penny Dread Tales, begins here with a young Friedrich Von Helsing, who will eventually grow to fight the supernatural alongside the mysterious Brotherhood.
In the stylings of Mary Shelly’s Frankenstein and Jonathan Polidori’s The Vampyre, this Victorian adventure follows Friedrich and his band of four friends, as these five young scholars debunk the supernatural in 1839. What starts as an innocuous set of adventures studying conmen, mages, Romani curses, and mad scientists leads them down a dark path to true occult.
Peter, before I will give our visitors a taste of Dandy Boys, I’d like to spend some time showcasing you as a writer. Would you please tell us something about your earlier work?
My proudest novel was Second Paradigm. It was the first novel I published, and though it is the oldest example of my work, I accomplished something with it that I’m not sure I could duplicate these days. With Second Paradigm I created a story that can be read in any order, and still delivers Build Up, Conflict, Resolution, in order. The story itself is a time travel story, which did make it easier to lay out a nonlinear plot.
You’ve piqued my curiosity. Time travel is a difficult subject. Would you care to discuss some of the awards you have won?
I have been lucky enough to find my work nominated for a couple awards. The two big nominations were “Behind These Eyes”, a horror graphic novel which was a finalist for the Bram Stoker Award, and Interface Zero 2.0 a gaming setting which was nominated for an Enny. I also wrote a preface for the 2015 Writers of the Future anthology which was turned into a short film. An interesting side note: Second Paradigm, which I mentioned before, landed me a guest speaking appearance with a chapter of Mensa – since no one before me had broken Aristotelian plotting with true nonlinear “reorganizable” storytelling.
Do you have any other books in the works?
Right now is a very exciting time. I just coauthored a novella with Kevin J. Anderson for the TV show Heroes Reborn (which I love!) I have two series on the way from Baen Books: one a multi book joint world alt-history/fantasy with Eytan Kollin, Walter Hunt, Eric Flint, and Kevin J. Anderson, the other an Urban Fantasy about an everyday P.I. who gets caught in a world of the supernatural. I have 4 other titles in various stages of shopping/signing, but I don’t want to get to far into those until I have more details on the releases.
Very exciting indeed! What is your work schedule like when you’re writing?
Intense. I prefer to go at a slower pace, but stick at it for a solid 8 hours, if not more. I do this 7 days a week, unless I have conventions or other appearances-at which point I get as much time as I can in.
Do you create an outline before you write?
I do both. Sometimes I outline, sometimes I pants (fly by the seat of my pants.) It really depends on how busy I am when I think of the story. If I have a bunch of other stuff on my plate, I’ll outline just so I can save the idea. (I have 227 draft outlines for books in my “to do” folder.
That’s great! Then we’ll be hearing from you for some time to come. I’d like to delve a little deeper, if I may. I’ll start by asking why do you write?
I know it may be cliché but I can’t not write. The people around me notice that the longer I go without writing the more of a grumpy jerk I become. It is just how I am wired.
How do you think you’ve evolved creatively?
That is a rough question. I know that I care a LOT more about digging into every layer of my characters than I did 10 years ago. They have become friends in a way that they didn’t used to be, even if I think they are jerks. I think a larger part of evolution though is that I have gained confidence. There are people out there impacted by my stories, even if I don’t have the notoriety of a headliner author, and that gives me confidence that the sacrifices of following a creative life (like I have a lot of choice – I don’t think there is anything else in the world I want to do) are worth it.
As for your “other” life, do you have another job outside of writing?
I do not. But I do. My “day job” is as the managing editor of a publishing house, so when I’m not writing… I’m still reading and analyzing story. The oddity in my life is that my writing actually pays most of my bills; and my “day job” is something I do because I love the people I work with and find it rewarding.
Would you care to share something about your home life?
I’m a single Dad and it is one of the most rewarding pieces of my life. My kiddo doesn’t feel like she comes from a broken home, she has adopted the attitude that she is luckier than most kids because she has 3 parents that love her. But – the only piece of my life as “big” as being a writer, to me, is being the best Dad I can.
If you don’t find this next question too intrusive, what do you consider your biggest failure?
Friendships. I am so busy with writing and being a dad that I rarely have social time to check in on my friends. I feel like I fail those around me by not being available, but they still stick around, being amazing people and checking in on me to make sure I haven’t been sitting in front of the keyboard, glassy eyed, without eating for the last 36 hours. And then they feed me when they discover that, in fact, I have been.
Thank you for sharing your time with us and thank for your candor. Obviously, your readers learn something about you from your work, but your responses here reveal much more about your humanity—something I believe is essential for creating a strong reader/writer bond.
As we close, before I provide a sample from The Dandy Boys Mysteries and provide links to where our visitors can follow you and purchase your books, I’d like to close with a Lightning Round. In as few words as possible, please answer the following:
My best friend would tell you I’m a … Workaholic.
The one thing I cannot do without is: Unwind time with my daughter.
The one thing I would change about my life: The number of hours in the day. We need to move the planet a bit, get up to a nice 36 hour day.
Hah! My sentiment exactly. My biggest peeve is: Having to sleep.
The person/thing I’m most satisfied with is: My kiddo. She is the awesome.
For those of you who have stayed with us to the end—and how could you not have? Great responses, Peter—here is the excerpt you have been waiting for:
The Gypsy Curse
In April of 1838, Cambridge University issued advanced degrees to several individuals of note. This was done in recognition of the completion of their studies and exemplary performance, as well as their keen insights and application thereof to the problems thus presented by the world.
The honorarium was attended at the newly founded Thomas Graham House headquarters of the Royal Society of London, located on the outskirts of Cambridge. Though Graham had been a fellow for only two years, great things were expected of him as a chemist who more than rigorously applied the Socratic Method to his studies.
Among these so laureled were the founding members of The Fellowship of Adventurer Scholars for the Revelation of Mythology and the Advancement of Natural Philosophy. The Fellowship was a bold venture, one which would cast aside such methods which found men of science cloistered in musty rooms, and would instead embolden its Fellows to embrace the very Spirit of Discovery.
Musty rooms could, as some had said, only contribute to the knowledge and study of musty rooms, while the world beckoned from outside the windows, enticing the inquiring mind to dissect and study its many wonders.
While the Fellowship did aspire to become a branch of the Royal Society, it was by no means intentioned to be constrained by the guiding vision of those notable gentlemen; rather, it sought to show that the empirical methods of these great explorers of the mind were better suited for examinations of the natural world.
Founded, as it was, by those more … youthful in nature, The Fellowship embraced travel and exploration. The body of the Fellowship of Adventurer Scholars consisted of Niles Byron, the eldest son to Lord George Gordon Byron; Dominic William Weyland, the youngest son of the noted industrialist Thomas Weyland; William Owen Wilson of the Oxford Wilsons; Rufus Emmerson, whose father had acquired a small fortune as the principle financier of the Weyland Industrial Consortium; and Friedrich Von Helsing, of house Helsing, who was himself second in line to a small barony in northern Germany.
Each of these men were of the highest caliber, as defined by the mind if not by blood, and disciplined with their time and intellect, bringing both to bear on the problems that so willfully accosted the good men and women of The Emperor’s.
While the exact nature of their introduction is unknown, it is common knowledge that these gentlemen shared several interests and associations while attending the King’s College, and that they could often be found in each other’s company. Despite their disparate social statuses, their shared intellectual and literary interests led them to engage in regular symposiums of the true Greek fashion.
In addition to such shared interests, the disciplines which these men mastered contributed greatly to their collective venture, as if the fates themselves had guided their interests toward that which would best accommodate their quest for truth in a darkened world; but perhaps even their philosophies at this time were not sufficient to dream of all the things in heaven and earth. Though the world may be a stage, and the Adventurer Scholars were but players, the ideas they pursued were, to them, the very parchment and ink with which the great playwright scribbled the tragedy of the world.
Niles Byron had, at that time, received his degree in matters of the Law. The discipline which was intended to prepare him for the affairs of his estate had instead provided the Fellowship with the ability to deftly maneuver the many difficulties of the world’s changing political spheres. It also allowed them a certain ease of passage through customs points, for in a world of imperial rule, the force of law could compel compliance more swiftly then could a blade, just as the badge of citizenship could defend better than any shield. And were one to find themselves in such a place as rejected these authorities, then the quick wit of the esquire could be called upon to lubricate the most insurmountable of obstructions.
Simultaneously, the title of Medical Doctorate, which had been bestowed upon both Rufus and Wilson, granted the coterie many tangible investigative insights, as well a certain degree of universal social acceptance. For who does not value the man who can heal all ailments and address even the sicknesses of the soul? Having two such fine exemplars of the field in their company could only further the prestige of the Fellowship and contribute to their study of the human phenomena which so captivated their interest.
It was the analytics and theoretics of Natural Philosophy—obtained by both Weyland and Helsing—which rounded out the group’s skills and provided a firm methodology for what followed.
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